Jane will be flying there from L.A. in early November, along with her husband Bill King, for one performance only in celebration of SSJ Records' radically retooled reissue of her 1988 album The Other Side of Sondheim, now called simply Jane Harvey Sings Sondheim, which includes four previously unreleased tracks and Jane's new 2009 version of "Send in the Clowns."
This CD Launch Party, presented by SSJ, Inc with the cooperation of Tokyo TUC, will take place on November 11, 2009 at Tokyo TUC, Iwamoto-cho, Tokyo, where singer Pinky Winters recorded her 2007 SSJ release, World on a String. It is to hoped that SSJ just might happen to have recording apparati lying about so that Harvey's gig might similarly be captured for possible CD release. She will be accompanied by Hiromu Aoki (p) and Jambo Ono (b).
The evening will commence with an overview of Jane's career presented by Japanese jazz critic, Keizo Takada
Admission is 5,800 yen, which includes Chinese food and a drink. Doors open at 6:45 pm, show begins at 7:30. For more information, check out TUC's web site (in Japanese).
It would seem to me that the occasion would be well worth hopping on a jet and wending your way across the Pacific just for this occasion alone. Truly the jazz vocal event of the season!
Here is a review of a performance of Jane's that appeared in the New York Times in 1984. Inasmuch as there is a picture of Jane Harvey next to the definition of "ageless" in the dictionary, it would seem most likely that a.) her chops are still in excellent shape despite her somewhat protracted time away from the performing stage and b.) we can expect a similarly fine show as was experienced by critic John S. Wilson when he wrote about the singer in '84 in the Times.
Jane, you are, indeed, AMAZING!
2 comments:
Bill, I'd wondered if Jane would have such an opportunity again, and thanks to the Japanese, it's finally happening. I'm thrilled for her and envious of them. Thanks for pushing her forward again in people's minds. She's a unique singer, and I hope they take advantage of her presence there by recording her.
Re: James' comment.
That's an interesting way of looking at it...
In Japan, the record companies might "take advantage of an artist's presence", while in America, the companies more often will simply "take advantage of an artist"
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